A rollercoaster journey through the glory days of pop music, this memoir from famed produced Tony Visconti brings to life more than five decades of music history. Soon after abandoning his native New York in the 1960s to pursue his career in the UK, Visconti found himself in the thick of the emerging glam rock movement. His first commercial success came with T.Rex, but it was with the then-unknown David Bowie that Visconti made his mark on the music scene. He has since worked with dozens of famous artists, among them Thin Lizzy, Morrissey, Iggy Pop, U2, and Wings. In this riveting autobiography, Visconti recalls the stories from his early days up until his present life back in New York. Filled with the groups and artists who shaped and made the pop scene, this is the story of a life spent behind the music.

Tony Visconti: The Autobiography: Bowie, Bolan and the Brooklyn Boy

Biographies & Memoirs

Visconti, Tony

Arts & Literature

HarperCollins UK

A name synonymous with ground-breaking music, Tony Visconti has worked with the most dynamic and influential names in pop, from T.Rex and Iggy Pop to David Bowie and U2. This is the compelling life story of the man who helped shape music history, and gives a unique, first-hand insight into life in London during the late 1960s and '70s.
This memoir takes you on a roller-coaster journey through the glory days of pop music, when men wore sequins and pop could truly rock. Featuring behind-the-scenes stories of big names such as Bowie, Visconti's unique access to the hottest talent, both on stage and off, for over five decades is complemented by unseen photographs from his own personal archive, offering a glimpse at music history that few have witnessed so intimately.
Soon after abandoning his native New York to pursue his musical career in the UK, Visconti was soon in the thick of the emerging glam rock movement, launching T.Rex to commercial success and working with the then-unknown David Bowie.
Since his fateful move to the land of tea and beer drunk straight from the can, Visconti has worked with such names as T.Rex, Thin Lizzy, Wings, The Boomtown Rats, Marsha Hunt, Procol Harum, and more recently Ziggy Marley, Mercury Rev, the Manic Street Preachers and Morrissey on his acclaimed new album 'Ringleader of the Tormentors'.
Even Visconti's personal life betrays an existence utterly immersed in music. Married to first to Siegrid Berman, then to Mary Hopkin and later to May Pang, he counts many of the musicians and producers he has worked with as close friends and is himself a celebrated musician.

Tony Visconti: The Autobiography: Bowie, Bolan and the Brooklyn Boy. A nostalgic journey through the golden age of British pop and rock music

Humor & Entertainment

Harper

THE SUNDAY TIMES BESTSELLER 'Hilarious, and straight talking but also articulate and insightful - I am just hugely fond of this guy' -Eddie Jones 'James Haskell: what a flanker, what a book' -Rugby World 'I'd like to be remembered as a player who showed that you can be incredibly professional but also a lot of fun - a bit of a joker in the changing room, but the ultimate competitor on the pitch. That should have been the subtitle of this book, really...' One of rugby's most ferocious flankers and biggest characters, James Haskell has had an extraordinary, global experience of the game, having played for the Wasps, Northampton and England, and in New Zealand, France and Japan. After seventeen years and with 77 international caps under his sizeable belt, he has a shitload to say about rugby life - from pitch to pub and everywhere in between. &nbsp; In&nbsp;What A Flanker, Haskell sheds fresh light on the dynamics and the day-to-day of the game. Whether he's recalling the most brutal team socials; dispelling the myths surrounding New Zealand's dominance; introducing his Japanese teammates to manscaping or calling out play-acting in the modern game, no subject is off limits. &nbsp; Side-splittingly funny and ruthlessly honest,&nbsp;What A Flanker&nbsp;delves into the touring, drinking, training, eating and sometimes unconscionable antics of the professional rugby player. It's an unforgettable read, even if there are some stories you'd rather forget...

What a Flanker: The funniest sports biography you’ll ever read

Haskell, James

HarperCollins

About the Author\nAllan Kozinn was a music critic and culture reporter for the New York Times from 1977 to 2014, where he wrote principally about classical music. In that capacity, he interviewed Paul McCartney several times, and saw him perform in a great variety of configurations and venues – from singing with a hand mic at the Lonestar Roadhouse, playing rock oldies at the Cavern, in Liverpool, and performing in small halls like the Ed Sullivan Theater and the Highline Ballroom, to full-scale concerts at Madison Square Garden and Yankee Stadium. He currently contributes regularly to the Wall Street Journal, the Washington Post and other publications. He has taught courses at the Juilliard School and New York University (including a course on the Beatles at the latter), and has written seven books, among them The Beatles – From The Cavern To The Rooftop (1995), Got That Something! How The Beatles’ ‘I Want To Hold Your Hand’ Changed Everything (2013), The New York Times Essential Guide – Classical Music (2004).\nThe principal researcher for the McCARTNEY LEGACY series, Adrian Sinclair studied film at the University of Wales, Aberystwyth, and served a traineeship with ITV in Yorkshire, England, where he learned his craft as a documentary film editor. He's worked for almost every major broadcaster in the world, including the BBC, ITV, Sky, Channel 4, National Geographic, Discovery and MTV. As well as receiving recognition for his work from the Royal Television Society in England, Adrian’s 2010 documentary Stealing Shakespeare (BBC/Smithsonian) was Emmy shortlisted for Best Documentary.\nIn this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles. 
When Paul McCartney issued a press release in April 1970 announcing that the world’s most beloved band, the Beatles, had broken up no one could have predicted that McCartney himself would go on to have one of the most successful solo careers in music history. Yet in the years after the Fab Four disbanded, Paul McCartney became a legend in his own right. Now journalist and world-renowned Beatles’ historian Allan Kozinn and award-winning documentarian Adrian Sinclair chronicle in technicolor McCartney’s pivotal years from 1969 to 1973, as he recreated himself in the immediate aftermath of the Beatles breakup – a period when, newly married and with a growing family, he conquered depression and self-doubt, formed a new band, Wings, and recorded five epochal albums culminating in the triumphant smash, Band on the Run. 
Part 1 of a multivolume set, THE MCCARTNEY LEGACY, VOL. 1 documents a pivotal moment in the life of a man whose legacy grows increasingly more relevant as his influence on music and pop culture remains as relevant as ever. It is the first truly comprehensive biography, and the most finely detailed exploration of McCartney’s creative life beyond the Beatles, ever undertaken.

The McCartney Legacy: Volume 1: 1969 – 73

Kozinn, Allan

Sinclair, Adrian

Dey Street Books

"This extraordinary book is not only a chronicle of Ron's and Clint's early careers and their wild adventures, but also a primer on so many topics--how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! The Boys will surprise every reader with its humanity."&nbsp;&nbsp;&nbsp;--&nbsp;Tom Hanks "I have read dozens of Hollywood memoirs. But&nbsp;The Boys&nbsp;stands alone. A delightful, warm and fascinating&nbsp;story of a&nbsp;good&nbsp;life in show business."&nbsp;&nbsp;&nbsp;--&nbsp;Malcolm Gladwell Happy Days,&nbsp;The Andy Griffith Show, Gentle Ben--these shows captivated millions of TV viewers in the '60s and '70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. "What was it like to grow up on TV" Ron Howard has been asked this question throughout his adult life. in&nbsp;The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on&nbsp;The Andy Griffith Show&nbsp;and Richie Cunningham on&nbsp;Happy Days&nbsp;offered fame, joy, and opportunity--but also invited stress and bullying. For Clint, a fast start on such programs as&nbsp;Gentle Ben&nbsp;and&nbsp;Star Trek&nbsp;petered out in adolescence, with some tough consequences and lessons. With the perspective of time and success--Ron as a&nbsp;filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor--the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents,&nbsp;Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors.&nbsp;Rance put aside his ego and ambition to become Ron and Clint's teacher, sage, and moral compass. Jean became their loving protector--sometimes&nbsp;over-protector--from the snares and traps of Hollywood. By turns confessional, nostalgic, heartwarming, and harrowing,&nbsp;THE BOYS&nbsp;is a dual narrative that lifts the lid on the Howard brothers' closely held lives. It's the&nbsp;journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived "child-actor syndrome" to become fulfilled adults.

The Boys: A Memoir of Hollywood and Family

Howard, Ron

Howard, Clint

William Morrow

INSTANT NEW YORK TIMES BESTSELLER 
“This extraordinary book is not only a chronicle of Ron’s and Clint’s early careers and their wild adventures, but also a primer on so many topics—how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! The Boys will surprise every reader with its humanity.” — Tom Hanks 
"I have read dozens of Hollywood memoirs. But The Boys stands alone. A delightful, warm and fascinating story of a good life in show business.” — Malcolm Gladwell 
Happy Days, The Andy Griffith Show, Gentle Ben—these shows captivated millions of TV viewers in the ’60s and ’70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. 
“What was it like to grow up on TV?” Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity—but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons. 
With the perspective of time and success—Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor—the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint’s teacher, sage, and moral compass. Jean became their loving protector—sometimes over-protector—from the snares and traps of Hollywood. 
By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived “child-actor syndrome” to become fulfilled adults.

Arts & Photography

History & Criticism

William Morrow Paperbacks

Product Description INSTANT NEW YORK TIMES BESTSELLER“This extraordinary book is not only a chronicle of Ron’s and Clint’s early careers and their wild adventures, but also a primer on so many topics—how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! The Boys will surprise every reader with its humanity.” — Tom Hanks"I have read dozens of Hollywood memoirs. But The Boys stands alone. A delightful, warm and fascinating story of a good life in show business.” — Malcolm GladwellHappy Days, The Andy Griffith Show, Gentle Ben—these shows captivated millions of TV viewers in the ’60s and ’70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors.“What was it like to grow up on TV?” Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity—but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons.With the perspective of time and success—Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor—the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint’s teacher, sage, and moral compass. Jean became their loving protector—sometimes over-protector—from the snares and traps of Hollywood.By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived “child-actor syndrome” to become fulfilled adults. Review “A Tinseltown childhood free of malice, regret or self-pity. It’s like a Ron Howard movie between two covers… a picture of a family unencumbered by major neuroses, hang-ups or rivalries… links to an earlier, simpler age… refreshing [and] homespun.” — Wall Street Journal“…kind, imperturbable and appreciative… the lulling rhythms of harmonious boomer sibs clearing out the old family house. See, they seem to say, brotherly love is possible in Hollywood.” — New York Times“[A] nostalgic coming-of-age story that examines life in showbiz, fun adventures and, perhaps above all, the importance of family.” — CNN.com“Who would have thought Ron Howard could be exciting? And yet, he and his brother Clint have written a saga of talent, ambition, serendipity, and lust. Well, forget about the lust. It’s just not there. But Ron and Clint’s story of their remarkable coming-of-age in show business will thrill any reader.” — Steve Martin“I’ve known and loved the Howard family for forty-eight years, and there are stories here that surprised even me. The Boys is an emotional journey that goes well beyond your typical Hollywood memoir.” — Henry Winkler"I have read dozens of Hollywood memoirs. But The Boys stands alone. A delightful, warm and fascinating story of a good life in show business.” — Malcolm Gladwell“This extraordinary book is not only a chronicle of Ron’s and Clint’s early careers and their wild adventures, but also a primer on so many topics—how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! THE BOYS will surprise every reader with its humanity.” — Tom Hanks“How can the complexities of husband and wives, parents an

William Morrow Large Print

Set against the backdrop of the Beatles splintering over both business and creative issues, The McCartney Legacy: Volume 1: 1969-73 covers a period in which Paul McCartney recreated himself, both as a man and as a musician. This is an in-depth and revealing exploration of his creative life beyond the Beatles—featuring hundreds of interviews with fellow musicians, tour managers, recording engineers, producers, filmmakers, and more. 
The story of the Beatles has been told many times, covering all periods and perspectives. Paul McCartney’s work in the 50 years since the Fab Four’s breakup has been extraordinarily successful and enduringly popular—his 26 post-Beatles albums have sold upwards of 86.5 million copies; McCartney’s 2019 Freshen Up tour was the highest grossing tour ever, in the entire world; and his last solo album McCartney III debuted at number one on the UK Albums Chart and number two on Billboard 200. Beside his extraordinary, creative solo output, he has collaborated with the most influential artists of his generation and the next: from Elvis Costello to Stevie Wonder, from Michael Jackson to Dave Grohl, even with Johnny Cash and Kanye West. McCartney, too, has explored new poetry styles with Allen Ginsburg and teamed up with Peter Martins and the NYC Ballet to create Ocean’s Kingdom. The list goes on from there. And he has done all this post-Beatles and while maintaining a mostly normal family life. Paul McCartney has lived ten lifetimes in the span of one and become increasingly more relevant, yet curiously, his creative output since the Beatles has never had the full exploration such a life and body of work demands. 
The McCartney Legacy gives McCartney’s post-Beatles life and work the kind of in-depth treatment that Mark Lewisohn has given the Beatles, and Philip Norman has given John Lennon. It is the first truly comprehensive biography, and the most finely detailed exploration of McCartney’s creative life beyond the Beatles, ever undertaken.

HarperLuxe

The Meaning of Difference, is a combined text-reader about the social construction of difference as that operates in American formulations of race, sex and gender, social class, and sexual orientation. It is premised on the conviction that similar processes are operating when we see difference of color, gender, class, and sexuality and that these processes likely also apply to other master statuses such as disability, ethnicity, or national-origin. Three framework essays provide the conceptual structure for the book. Each framework essay is followed by a set of readings that illustrate the concepts developed in the essays. Readings have been selected because they offer analyses that are generalizable to a variety of statuses.

The Meaning of Difference: American Constructions of Race, Sex and Gender, Social Class, and Sexual Orientation

Rosenblum, Karen E.

Travis, Toni-Michelle C.

McGraw-Hill Humanities/Social Sciences/Languages

See the best price to sell, buy or rent books on the Arts & Literature subject. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Arts & Literature Books

See the best price to sell, buy or rent books on the Arts & Literature subject. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Tony Visconti: The Autobiography: Bowie, Bolan and the Brooklyn Boy

Tony Visconti: The Autobiography: Bowie, Bolan and the Brooklyn Boy. A nostalgic journey through the golden age of British pop and rock music

What a Flanker: The funniest sports biography you’ll ever read

The McCartney Legacy: Volume 1: 1969 – 73

The Boys: A Memoir of Hollywood and Family

The Boys: A Memoir of Hollywood and Family

The Boys: A Memoir of Hollywood and Family

The Boys: A Memoir of Hollywood and Family

The McCartney Legacy: Volume 1: 1969 – 73

The Meaning of Difference: American Constructions of Race, Sex and Gender, Social Class, and Sexual Orientation